|
NEW YORK,
NY - DECEMBER 6, 2002 - The Radio City Christmas Spectacular®,
starring the world-famous Radio City Rockettes, returns to Radio
City Music Hall for more than 200 performances this holiday season.
The 2002 Edition of The Christmas Spectacular features a cast
of more than 140 people, including a thirty-five piece orchestra.
This year, Sound Designer Dan Gerhard chose JBL's VERTEC
Line Array speakers powered by Crown amplifiers for the grueling
schedule of up to six shows per day.
 |
Gerhard
specified the VERTEC/Crown system after successfully using
a system on a trial basis. "VERTEC provides excellent
full-range sound for music from the orchestra as well as pristine
clarity for spoken word, which is crucial for this show,"
said Gerhard. "The requirement at Radio City is for a
sound system to cover from top to bottom, which is about a
90° vertical throw when the speakers are flown above the
set as they are for this show, which VERTEC is very capable
of handling. |
"Also,
from an audio standpoint, the Christmas Spectacular uses a lot
of headset lavalier microphones which can cause many problems.
The more coherent the sound is in the room and the more impact
it therefore has, you can keep a lower overall level, which is
important. The greater the clarity, the less volume you need for
the audience to hear the details of the show. VERTEC provides
this clarity, so the show can be clearly heard without the high
volume that could cause listener fatigue and feedback."
| The
audio challenges of this ninety-minute show are staggering.
Two Midas H3000 consoles are operated by sound engineers Tommy
Arrigoni and Russ Lynn. The orchestra requires 75 inputs,
with a dozen live microphones for performers on stage, and
many channels dedicated to prerecorded program. The entire
show is run to time code to allow audio from the 3-D introductory
film, prerecorded materials and sound effects to be precisely
integrated with the live music, dancing and acting on stage.
The VERTEC system is made up of two arrays flown above the
stage. Each array contains fifteen VT4889 and two of the new
compact VT4887 line arrays. Forty-two Crown MacroTech 5002VZ
amplifiers provide the power. Processing is handled by two
BSS 366 OmniDrives. |
 |
 |
The audio
challenges of this ninety-minute show are staggering. Two Midas
H3000 consoles are operated by sound engineers Tommy Arrigoni
and Russ Lynn. The orchestra requires 75 inputs, with a dozen
live microphones for performers on stage, and many channels dedicated
to prerecorded program. The entire show is run to time code to
allow audio from the 3-D introductory film, prerecorded materials
and sound effects to be precisely integrated with the live music,
dancing and acting on stage. The VERTEC system is made up of two
arrays flown above the stage. Each array contains fifteen VT4889
and two of the new compact VT4887 line arrays. Forty-two Crown
MacroTech 5002VZ amplifiers provide the power. Processing is handled
by two BSS 366 OmniDrives.
"The
VERTEC system's performance is excellent. In fact I have even
had comments from the lighting people saying they have heard things
they never heard before. What I notice the most is the clarity
- the midrange is far superior to anything we have ever used.
This is where the orchestra lies, in the mids - getting definition
in the reeds and other instruments is critical," stated Lynn.
"I have also used a lot less channel equalization than usual.
We are running lavalier mics with no equalization and getting
lots of gain and clarity from the VERTEC speakers. I have never
come close to feedback with these lavaliers. The orchestra is
sounding bigger than it ever has. The sound is a 100% improvement
over anything we have done before."
The VERTEC
sound system was installed in October as preparation began for
the shows. Sound rental company Promix provided the system and
assisted in the installation. "Setting up the VERTEC rig
was a breeze. The rigging and its simplicity blow away the other
line arrays," said Arrigoni. "Tuning the system was
simple and painless. There was very little change from the factory
set ups for the VT4889, mostly to compensate for the needs of
an orchestra compared to the average amplified musical performance
for which the system would generally be used. If I was doing a
rock show, I don't think I would have made any changes."
"The
response has been nothing short of wildly enthusiastic. Even people
who usually don't comment on sound have told us they hear parts
and instruments they never heard before. Everyone is aware of
the improvement and impressed by it," according to Gerhard.
"I don't like to describe audio systems or speakers in non-technical
terms, but it's hard not to with VERTEC. These are just very natural
sounding speakers - they are very musical - they sound like the
band."
The Radio
City Christmas Spectacular debuted in 1933; one year after the
Music Hall opened its doors for the first time. Originally performed
as a holiday "gift" between movie screenings, The Radio
City Christmas Spectacular began its full 90-minute format to
overwhelming public response in 1979. The show quickly developed
into a holiday tradition for families around the world. This year,
more than one million people are expected to attend the show at
Radio City Music Hall, making it the #1 live show in America.
Headquartered
in Northridge, California, JBL Professional is the world's leading
designer, manufacturer, and marketer of professional loudspeakers
for recording and broadcast, musician, cinema, touring sound,
commercial sound and contracting applications. JBL Professional
is part of the Harman International network of professional and
consumer audio companies. For complete product and company information,
go to the JBL Pro website at www.jblpro.com.
#
# #
Text
file of this story
Zipped TIF of the Theatre and VerTec Speakers
Photo
Zipped TIF of the Rockettes Photo
Zipped TIF of the VT4889 and VT4887
Photo
|