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| JBL'S NEW VERTEC® V4 DSP PRESETS WIN FANS WORLDWIDE AS GLOBAL SYSTEM PERFORMANCE CONSISTENCY IS ACHIEVED |
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NORTHRIDGE, California – Demonstrating how global adoption of the company’s new V4 DSP presets is
helping achieve enhanced performance results for its VERTEC® worldwide loudspeaker system user group, JBL
Professional reports an enthusiastic response to its recently-completed digital signal processing file suite for the
company’s popular full-size, mid-size and compact line array elements. With a growing number of VERTEC
system owners now having upgraded their system drive files to V4, touring sound mixers are realizing a
significantly improved level of system performance and consistency, regardless of where in the world a VERTEC
system is sourced and deployed.
“I’ve previously used VERTEC on tour with David Bowie and Nine Inch Nails, but the new V4 DSP presets have
definitely taken this PA to the next level,” observed FOH engineer Pete Keppler, after using a JBL
VT4889/VT4880A system from Firehouse Productions for Nine Inch Nails’ summer North American tour.
The new presets are having a particularly strong impact internationally, as globetrotting sound mixers now find
the system performance consistency they have been seeking on concert rental systems from one continent to
the next.
“With JBL’s new V4 DSP presets, VERTEC is completely different, it is awesome,” offers Andy Meyer, veteran
FOH engineer for recent global tours by artists like Justin Timberlake and currently in preparation for the
upcoming “Saints of Los Angeles” world tour by Motley Crue. “With V4 the PA becomes transparent. You do not
focus on the speaker system as the sound source when listening; you identify the instrument and its placement
in the mix. With the V4 software upgrade, properly implemented, VERTEC is now truly the best bang for the
buck.”
In Australia, Glenn Helmot, Audio Applications Engineer for Jands
Technical Resource Group, also notes that the V4 DSP presets have
been a major improvement for VERTEC. “Previously, system
performance could have been hit or miss depending on where you
hired the system and who was running it,” he recalls. “‘Why does
VERTEC sound different everywhere?’ was a comment I regularly
received from system operators. Now it’s common that I receive
compliments on how good VERTEC sounds with V4 and it really is quite
a nice surprise.”
In Canada, Mark Radu, Systems Engineer/R&D for P.A. Plus,
observes that with V4, the company’s VERTEC system now sounds
better all the way from the front row to the back row in any venue. “It’s
absolutely providing better phase-coherency for the system,”
commented Radu. “Offering remarkable sonic improvements while
delivering a uniform consistency throughout the VERTEC line, JBL
continues to raise the bar in speaker performance."
In India, V&P Sound’s Senior System/Mix Engineer, Mr. Mallesh T.,
recently deployed his company’s VERTEC system for multiple international artists at the G.I.R. (Great Indian Rock) 2008 festival and achieved similar results. “Our VT4889 and VT4880A system using the ‘X’ mode within JBL’s new V4 DSP presets has more impact and pristine clarity
than any other system,” he enthused. “I think that VERTEC is indeed creating a unique experience, a new
interest and excitement in the industry, with JBL's new V4 DSP presets.”
Paul Bauman, JBL’s Director of Tour Sound Product & Application Engineering, notes that V4 presets are
differentiated from previous offerings by the fact that the company basically started from scratch and applied an
entirely different preset development methodology based on a combination of detailed measurements,
modeling and real-world listening tests. “Proprietary JBL simulation tools now at our disposal simply did not
exist for the development of previous preset generations,” observed Bauman. “Another key factor is the fact
that V4 presets were simultaneously engineered for the entire VERTEC line. This helps ensure a consistent
‘family sound’ so that all models ‘play well together’ from a sound design perspective.” Bauman also
commented that, “nothing is more personally gratifying than hearing from FOH or system engineers that V4 has
made their life so much easier. Advancing a gig is also a lot easier – if it’s a VERTEC system, most will simply
specify that the local provider will be running V4, and they’re confident that they will have a good show.”
For passive VERTEC models and outboard loudspeaker management units, V4 DSP presets are available to
VERTEC system owners for download online at http://www.jblpro.com/products/tour/Vertec/V4download.html
In a related development, V4 presets are now shipping from the factory in all of JBL’s DP (DrivePack) series of
VERTEC system models, enabling system owners of passive, or powered, VERTEC systems to realize the same,
consistent level of performance with improved fidelity, phase-coherency and comparable sonic signatures
across the entire product line.
A new DPIP Upgrade Kit for JBL DrivePack-equipped systems fitted with dbx (non-networked) input modules
has also just been released for VERTEC owners wishing to realize the benefits of V4 processing for their
existing, base-model VERTEC DP Series system inventories. The Upgrade Kit consists of a USB port adapter
cable, download utility software and V4 firmware for the various models that allows users to re-program existing
VT4888DP, VT4882DP, VT4887ADP or VT4881ADP models with V4 presets.
V4 device files for Crown I-Tech, dbx 4800 Loudspeaker Management Systems and VERTEC Drivepack DPAN
and DPCN models also come bundled with Harman Professional HiQnet™ System Architect software, available
for download at: http://hiqnet.harmanpro.com/downloads.php
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JBL Professional is a unit of Harman International Industries, Incorporated (www.harman.com).
Harman International designs, manufactures and markets a wide range of audio and infotainment products for
the automotive, consumer and professional markets, and maintains a strong presence in the Americas, Europe
and Asia, employing more than 11,000 people worldwide. The Harman International family of brands includes
AKG®, Audioaccess®, Becker®, BSS®, Crown®, dbx®, DigiTech®, Harman Kardon®, Infinity®, JBL®, Lexicon®,
Mark Levinson®, Revel®, QNX®, Soundcraft® and Studer®. Harman International’s stock is traded on the
New York Stock Exchange under the symbol “NYSE: HAR.”
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