| ANAHEIM,
CA – January 15, 2004 – JBL Professional
announced shipment of the LSR6300 Series line of studio monitors
at the NAMM show in Anaheim. The new line incorporates patented
transducer technologies and revolutionary RMC™ Room Mode
Correction system to minimize the effect of standing waves and
acoustic problems in the production environment. The result is
more accurate performance at the mix position in any size control
room.

Frank Filipetti, GRAMMY® Award-winning Engineer
High Resolution Image
First to use the LSR6300
system was GRAMMY® Award-winning
Engineer, Frank Filipetti, who used two LSR6328P and two LSR6312SP
Subwoofers to mix the new Korn project at the recording studio
of Korn band member, Jonathan Davis. Filipetti says the benefit
of the LSR6300 system with RMC is substantial. He explained the
long narrow geometry of the room created low frequency anomylies
which made it difficult for him to judge the bass content of
his mixes. “We set up the JBL’s and immediately I
was able to get a much truer sense of what was going on in the
low end,” stated Filipetti. “The mixes we’re
getting now are right on the money.” With the ability to
tune the speakers to any room, Filipetti chose the LSR6300 system
for a project with Phil Ramone, the 5.1 remix of Paul Simon’s
legendary Graceland. “These speakers are smooth; the cross-over
points seem very smooth. I like them a lot,” said Filipetti.
On the effectiveness of JBL’s RMC technology, Filipetti
remarked, “It’s made quite a difference. Now I can
get the sound that I want at the desk, and I can make pretty
much all my rooms sound the same. I’m very happy right
now with where we are.” Low frequency standing waves, caused
by the room’s geometry, can cause “boominess” at
the mix position and contribute to an inaccurate representation
of low frequency content. The ability to achieve accurate low
frequency response is particularly challenging in smaller home
and project studios. The LSR6328P and the LSR6312SP subwoofer
incorporate a new JBL RMC Room Mode Correction circuit, which
eliminates the effect of low frequency room modes, allowing accurate
bass response at the mix position. The RMC Calibration Kit provides
everything the user needs to measure the room response, identify
room modes, and calibrate the response of the system. Once calibrated,
the RMC system dramatically improves low frequency performance
at the mix position in any size room.
JBL Professional Director
of Recording and Broadcast, Peter Chaikin said, “Our objective is to go beyond “accurate” and
solve the problems in the mix environment. By incorporating Room
Mode Correction technology, even a small production space can
have accurate performance at the mix position. The new LSR6300
speakers eliminate the guess-work and make mixing a pleasure.”
The LSR6300 Series
includes three new models: The LSR6328P bi-amplified reference
monitor with 8” woofer and 1” tweeter;
the LSR6332 reference monitor with 12” woofer, 5” midrange,
and 1” tweeter; and the LSR6312SP subwoofer. These models
include patented JBL transducer technology to create ultra-accurate
response. The LSR6312SP includes sophisticated bass management
circuitry and a full feature-set for multi-channel audio production.
The current LSR25P, compact bi-amplified reference monitor with
5.25” woofer and 1” tweeter, can be used in systems
with any of the new models. All four models include mounting
points for use with readily available mounting hardware, magnetic
shielding for use near video monitors, and are THX® pm3™ approved.
The LSR6328P includes handles for ease of transportation and
positioning in the room.
Headquartered in Northridge,
California, JBL Professional is the world’s leading designer,
manufacturer and marketer of professional loudspeakers for
recording and broadcast, musician,
cinema, touring sound, commercial sound and contracting applications.
JBL Professional is part of the Harman International network
of professional and consumer audio companies. For complete product
and company information, go to the JBL Pro website at www.jblpro.com.
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